I was thinking about the fact that I have five more weeks left at UCLA. It was a twenty four large investment that came out of my pocket, and I don't think I could have made a better choice. But as I sit here pondering the second act of a rewrite, I have the feeling that in the end, nobody knows nothing.
When you walk into film school, you tend to feel that you don't know anything, but your brain is ready to take things in. And you do. You take in theories, processes, methods, examples, criticisms, peer reviews, workshops, and suggestions, and hope that you can make something out of all this. And then you think you do, so you feel a bit superior. The tools are in your brain, so you feel like you've got a handle on things. So it's full speed ahead, toward writing that great script. But then, as you work on making things work, you realize that none of all these classes can make that script work. You've got to internalize the tools and then recognize for yourself, the best way to write the best script possible.
That takes a balls and ovaries, and a bunch of self confidence. Part of what makes a good script will be luck, perseverance, skill, more luck, and commitment. And now, five weeks from graduation, with a fresh MFA degree, it's sort of pleasant to know that no matter what, it's still all in my hands despite the fact that nobody knows nothing.
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