Last night, I went to my first bi-monthly MFA gathering at O'Brien's in Santa Monica. Threw down a few Heinekens and met with the various writers, directors, and producers of the future. For the most part, most were pretty cool. We bitched about our various assignments, professors, and whether or not we'll make some cash from all of this. I talked a lot, but watched even more. It was kind of easy to see who probably drank every night, and who didn't. Still would like to see more MFA's of color in the program. Diversity is a good thing, ya know.
Tomorrow I'm going to see if I can start up the UCLA Black MFA Association. Technically, I missed the date for new organizations, but hell, ya gotta believe that they can waive a few rules for something like this. I heard that they tried to organize it last year, but it fell apart last year. The overall MFA program is VERY inclusive to everyone, but whether they realize it or not, there are some very special issues for black directors, writers, producers, etc. that aren't covered in the general program. I want to suppliment our education with real black folks in the industry, and that Black MFA Association will help get that done. I already have a lawyer friend at the William Morris Agency, who's agreed to talk to us. Hopefully, we can get more folks each month.
As for my assignments, things are finally rolling. My four page opening act feels pretty good, and I finished my "age" story. I'll probably work on both throughout the night, polishing them for tomorrow's class. Still a little vague on the style of writing Hal wants, but C'est La Vie.
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